2/15/2024 0 Comments Rv589Many movements show inspiration from this composition, and two movements ("Qui Tollis" and "Cum Sancto Spiritu") are plagiarised from the original Ruggieri setting (although "Qui Tollis" completely omits the second coro (chorus), and "Cum Sancto Spiritu" is slightly modified). RV 588 borrows extensively from a double orchestra-and-choir setting of the same text by Giovanni Maria Ruggieri (which will henceforth in this article be referred by its RV cataloguing number of RV. The date of composition between this Gloria and RV 589 is still disputed, but both show compositional inspiration from each other. The first movement is interwoven with the last aria of RV 639, as explained above. The lesser known of the two surviving Glorias, RV 588 was most likely composed during Vivaldi's employment at the Pio Ospedale della Pietà, known for its advanced choral ensemble. Four introduzioni exist for these Glorias: Cur Sagittas (RV 637), Jubilate, o amoeni cori (RV 639) (the last movement of which is compositionally tied with the first movement of RV 588), Longe Mala, Umbrae, Terrores (RV 640), and Ostro Picta (RV 642). IntroductionĪs with other choral pieces the composer, Vivaldi, wrote many introduzione (introductory motets) that were to be performed before the Gloria itself. It was probably written at about the same time as the RV 588, possibly in 1715. The RV 589 Gloria is a familiar and popular piece among sacred works by Vivaldi. A third, RV 590, is mentioned only in the Kreuzherren catalogue and presumed lost. Antonio Vivaldi wrote at least three settings of the hymn Gloria in excelsis Deo, whose words date probably from the 4th Century and which is an integral part of the Ordinary of the Mass.
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